A dining room with pale lilac-grey walls, a wood ceiling and wicker arch openings, an oak cart with solid wooden wheels beside a white-clothed round table, wicker chairs in green and beige, tall windows behind half-drawn voile curtains and a small portrait on the wall

Rue de Varenne, Paris 7e, France

ArpègeWicker chairs, an oak cart, a rose on the plate

Pale walls, wicker chairs, and a wooden cart pushed up to the table. The menu carries no meat and no fish, and what it does carry changes with the day's harvest.

The restaurant takes the ground floor of a stone building on Rue de Varenne in the 7th arrondissement, one of a row, with the river a short walk away and the gallery a few dozen metres off.

PlaceRue de Varenne, Paris 7e
StylePlant-only tasting menu
KitchenAlain Passard
GardensTwo plots, two soils

Growing vegetables the way a grand cru is grown

Rue de Varenne, Paris 7e, France — A tasting menu built only on plants.

The kitchen cooks plants and nothing else. Vegetables, fruit, herbs and flowers, with honey from the restaurant's own hives, make up the whole skeleton of the menu; there is no meat and no fish. Behind the kitchen are two gardens working with no chemical inputs at all, and the gardener brings the harvest into the city each day, so the menu follows what came in. The chef's line sits at the top of the official site: I want to make vegetables into a grand cru. It explains a great deal, including why a lunch can list nothing but tomato, leek, beetroot and aubergine, and why the same tomato comes to the table in several colours.

The two gardens sit in Normandy and in the Sarthe, one around an old house and one behind a hedge. The soils differ, clay in one and sand in the other, so watering and feeding are calculated separately and each plot keeps its own account of what it can grow.

Alain Passard came up through the rotisserie, cooking poultry low and slow for years before moving the kitchen onto vegetables. The room he works in now is on rue de Varenne: pale walls, oak carts, wicker arches, wicker chairs in green and beige, a hand-painted rose at the rim of every plate. Further in there is a small vaulted room, wooden ribs holding a barrel ceiling, the curved walls painted all over with flowers and plants.

An open vegetable plot with neat rows of leafy crops down the middle and weeds on both sides, three white greenhouses in the distance, a treeline under a pale sky and two figures working in the field
Beds, weeds and three white greenhouses
A frontal portrait of a man with grey hair and a grey beard in a white shirt with an open collar, blurred green trees behind him and a leaf entering the frame at upper left
Alain Passard in a white shirt
A white porcelain plate covered in fine raised dots, with young orange carrots, small yellow tomatoes, lengths of leek, celery, discs of white radish and green herbs piled in the centre, dressed with green oil and a dusting of white powder

A plate cut very fine

A white porcelain plate covered in small raised dots, the centre filled with vegetables cut into pieces: young orange carrots, halved cherry tomatoes, leek, celery, discs of white radish. Green oil is poured over them, then a dusting of white powder and a few coriander leaves.

Inside a greenhouse, tomato vines climbing strings with green fruit among the leaves, and shallow wooden crates on the soil filled with red, yellow and orange tomatoes beside black drip irrigation lines

Tomatoes in a wooden crate

A shallow wooden crate set down on the soil of a greenhouse, filled with tomatoes just picked. Red, yellow and orange are mixed together and no two are the same size, with green fruit still hanging on the vines behind.

A close view of a round tart covered in small rolls of thinly sliced fruit, the edges caramelised, dusted with icing sugar, red petals visible between the rolls and a black iron stand beneath

A tart of rolled slices

A round tart covered in small rolls, each one a thin slice of fruit coiled on itself. The edges have baked to amber, icing sugar is dusted over the top, red petals show through the gaps, and the tart sits on a black iron stand.

A vaulted room with a barrel ceiling carried on rows of timber ribs, curved walls painted with flowers and fruit, a round table with a white cloth at the centre, wicker chairs around it and a small door at the far end
Route

Lunch, then the gallery next door

A good main meal for a day in Paris: eat at midday, walk a stretch towards the river afterwards, or turn off to the gallery a few dozen metres away on Rue de Bourgogne.

Two rooms

The street-side room is tall, with narrow windows and white voile curtains dropped halfway. The walls are a very pale lilac-grey, the ceiling is wood, the openings between rooms are cut as wicker arches, and an oak cart stands beside a table on wheels sawn from solid rounds. Cloths fall to the floor, and every chair is wicker, green alternating with beige, the backs bent into a half circle.

Plates are white porcelain with a rose painted at the rim, and no two are quite the same colour. Further in, a second room runs under a barrel vault carried on timber ribs, the curved walls painted with flowers, leaves and fruit. A round table sits in the middle with wicker chairs around it, and a small door with gilded detail closes the far end.

The menu follows the harvest

The official site keeps three things apart: the carte, the lunch menu and the dinner menu. The lunch one is called Cuisine Terroir, and it carries no meat from the first course to the last, with a note at the end that it may shift with what the gardeners bring in that day. The note is printed rather than implied.

The change is not improvised. The gardens have their own team, picking and delivering by the day, and the kitchen cooks what arrives that morning. The chef has said that aubergine is handled one way in summer and turnip another in winter: the same hands doing different work in a different season. That is also why the lunch menu carries a note about shifting rather than a fixed list.

Also worth knowing

Where the two gardens are, who works them, and which dishes the house puts its name to.

01

Two plots

Bois Giroult lies between Dreux and Évreux: just over four hectares of clay, good for onions, beetroot and radish, with broad beans in spring and melons in summer. Gros Chesnay is south of Le Mans, just over three hectares of greenhouses on sand.

02

Nine gardeners

Two teams work under Sylvain Picard, nine people in all, farming naturally and turning the soil as little as possible. What gets picked, and when, is their decision rather than the kitchen's.

03

Four signatures

Onion gratin, vegetable tartare, beetroot baked in a salt crust and small vegetable tarts. All four are listed separately on the official site, and none of the names runs long.

04

Honey of its own

The restaurant keeps its own hives. The honey goes into the kitchen alongside what the gardens send, and part of the sweetness on the menu starts there rather than in a bag of sugar.

05

The gallery next door

Arrière-Cuisine at 57 Rue de Bourgogne, a few dozen metres from the dining room, shows the chef's books, collages, lithographs and bronze sculptures. It opens Monday to Friday, 10:00 to 18:00.

06

Where it is

84 Rue de Varenne, Paris 7e, telephone +33 (0)1 47 05 09 06. The dining room sits at street level in a stone building, and there is no valet parking at the door.

Putting a meal here into the trip

One kitchen working only from its gardens, three ways of ordering, and a lunch menu that moves with the picking.

Cuisine

Plants only, with honey from the restaurant's own hives. Three things are listed separately: an à la carte, a lunch menu and a dinner menu.

Booking

Online through the official site or Zenchef. The reception desk answers the telephone on weekdays from 9:00 to 17:00.

Hours

Monday to Friday, lunch and dinner. The official site does not give the specific times.

Dress and diet

No dress code is listed on the official site. The cooking carries no meat or fish at all, which is worth knowing before booking rather than after.

Plan this into a journey

Tell us when you are in Paris and who is travelling, and we can talk through how a long lunch here sits in the week.

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